Monday, October 25, 2010

list of emotion


There is two type of emotion:
*Positive
*Negative

Postive Human Emotions

AdequateAweAssuredAble
CapableCertainCharmedCheerful
ComfortableCompassionCourageousConfidence
DeterminedDelightedEagerEnergetic
EnthusiasticExcitedExhilaratedExpectant
ElationEmpathyExcellentFascinated
GladGoodGreatGrateful
GloriousGlamorousGracefulHappy
HopefulHumorousInspiredInterested
JoyfulMagnificentLustLove
PleasurePlayfulnessPeacefulPleasant
PowerfulPridePositiveRelaxed
RelievedSatisfiedSurprisedSympathy
StableSublimeSuperiorThrilled

Negative human emotions

AnnoyedAnxiousApprehensiveAgonize
AngerAnxietyApathyBored
BurdenedCautiousCompetitiveConcerned
ConfusedContemptDepressedDestructive
DisgustedDistractedDoubtfulDisappointed
ExasperatedExhaustedEmbarrassmentEnvy
FrustratedFearGuiltyGreed
GriefHarassedHesitantHostile
IgnoredImpatientIndifferentIntimidated
IsolatedIrritatedJealousJumpy
LonelyMadManipulatedMiserable
ObnoxiousOverwhelmedPanicPressured
RemorseRevengeShameSad
ScaredShockedSuspiciousStress
TiredUncomfortableUneasyUsed
WaryWearyWasteful

The list and definition for emotion

Emotion List

Definition

FearAversion.
AngerDispleasure , hostility. An emotional state that may range in intensity from mild irritation to intense fury and rage. [1]
GuiltCulpability especially for imagined offenses or from a sense of inadequacy. [2]
DepressionPessimistic sense of inadequacy , lack of activity. [3]
PrideExaggerated positive evaluation of oneself based on a devaluation of others. [4]
JealousyThoughts, feelings, and behaviors that occur when a person believes a valued relationship is being threatened by a rival.
Self-pityA self-indulgent dwelling on one's own sorrows or misfortunes. [5] An estate of mind of an individual in perceived adverse situations who has not accepted the situation. And does not have the ability to cope with it .
AnxietyAn abnormal and overwhelming sense of apprehension often marked by physiological signs . Sweating, tension, and increased pulse. [6]
ResentmentA feeling of indignant displeasure or persistent ill will at something regarded as a wrong, insult, or injury.[7]
EnvyPainful or resentful emotion. Awareness of an advantage enjoyed by another joined with a desire to possess the same advantage.
FrustrationA deep dissatisfaction arising from unresolved problems or unfulfilled needs.
Shame- A condition of humiliating disgrace or disrepute. Shamery is also a central feature of punishment, shunning, or ostracism. In addition, shame is often seen in victims of child neglect, child abuse. And a host of other crimes against children.
No RelationshipThe Magic Of Making Up
LoveA strong affection for another.
Appreciationadmiration, approval, gratitude.
HappinessWell-being , contentment.
HopeTo cherish a desire with anticipation. To wish for something with expectation of its fulfillment.
EnthusiasmA strong excitement of feeling. Great excitement for or interest in a subject or cause.
VitalityPhysical or mental vigor especially when highly developed. The capacity to live, grow, or develop.
ConfidenceFaith or belief that one will act in a right, proper, or effective way . A state of being certain.
GratitudeThe state of being grateful; thankfulness.
GriefIntense sorrow especially caused by someone’s death.
NegativeBeing pessimistic, expressing disagreement or refusal.
PatientHaving or showing patience.
Regretsorrow, repentance , disappointment.
ResentfulFeeling of bitterness or indignation.
SadUnhappy. Feeling sorrow .
TrustFirm belief in reliability, truth, ability or strength of someone or something.
VulnerableFeeling exposed to being attacked or harmed.
WorriedAnxious over actual or potential difficulties.
OptimisticExpecting the best in this best of all possible worlds.
DenialAn unconscious defense mechanism characterized by refusal to acknowledge painful realities, thoughts, or feelings.
OffendedTo result in displeasure.
AppreciativeFeeling or expressing appreciation.
ApprehensiveAnxious or fearful about the future. Uneasy.
AshamedFeeling inferior, inadequate, or embarrassed.
AstonishedTo fill with sudden wonder or amazement.






Definition of emotion?




Emotion is moving of the mind or soul; excitement of the feelings, whether pleasing or painful; disturbance or agitation of mind caused by a specific exciting cause and manifested by some sensible effect on the body.The word emotion itself means to express or get out.-article :healthy emotion by Kevin Roberts.For an example the baby fell down and it emotionally express by crying which produce the sadness feel that can be look from the face of the baby.

By my opinion about describing emotion is saying that emotion controls all the feeling brought from our body which transmit to brain and being react from outer side of our body.For an example,when i lost my belonging and the message bring to my brain so that i can expose my feeling of sadness and kind of stress emotion because cannot react anything and kind of blur of solving the problem.

Other then that,emotion can also create a situation of a environment.For an example:

sad-when there is death of someone
happy-getting a outstanding result
stress-exam getting nearer
anger-unknown person giving frank call.
confused-some many thing happening around me and cannot take action
excited-getting chance of going overseas
fear-watching scary movie

Other emotion are anxiety,envy, harmonious,love,hate

Examples of video about emotion


And here we come to three levels of emotionally-relevant experience in humans: routine emotions, situational emotions, and felt meaning.

Level one - Routine emotions

There is a ‘generalised’ or ‘routinized’ part of anger that, in a sense is ‘wired’ into us or ‘handed down’. In anger, for example, this ‘explosive’ felt quality comes to us in many different situations and is very similar, in essence, between us. So anger, at this level has much ‘sameness’ about it in the way that it implies a narrow set of physical fight-readying chemicals and behaviour. This level of emotionality is closer to a universally patterned relational structure.

Level two - Situational emotions

We have an inner life. To quote Gendlin (1973) : “We can take the situation which rouses our fight-readying home with us, and become fight-ready even when the opponent and context aren’t present.” p. 376. We thus ‘carry’ a historical sense of various situations around with us as background contexts to new situations. Also, as our situations differ in different cultures, so do our emotions. Gendlin refers to an example of the American anthropologist, Geertz, who did not recognise a kind of feeling that Javanese felt in the presence of a spiritual saint (the closest Geertz could come to the word was ‘awe’ and ‘respect’, but this wasn’t quite right either). So, situational emotions can build a lot of complexity and subtlety into them. They imply particular kinds of personal and cultural history and meanings, and are the culmination of a developmental sequence of modifications to both shared and bodily-feeling life.

As humans, we have developed many words that refer to a great diversity of subtle emotional qualities beyond the ‘general’ emotions of fear, anger, and sexual and parent-child love. Even coming to so called ‘romantic love’, we have elaborated and experienced many distinctions. So the complexity of situational emotions in human history have ‘emerged’ and we have developed a more complex vocabulary to attempt to do justice to the subtlety of these emergent experiences --- such as a ‘sense of poignancy’, a ‘bitter-sweet feeling’ or ‘an ironic humorous feeling’. Often, we don’t have words for many of these and may say “ I feel as if I were…” Such complexity is multi-layered and may move beyond the so-called clarity of one thing or another, either fear of anger. As poets understand, human existence is full of ‘mixing’, and emotional consciousness is wide enough to allow these emergent, and even novel, emotional qualities to come.

Level three - Felt meaning

Beyond routine emotions and situational emotions, Gendlin sees a further, more complex, emotionally-relevant experience that human beings have developed. This is the capacity to broaden one’s attention to notice the felt qualities of a whole situation that contextualises a series of specific situational emotions or feelings of routine emotionality. Here, attention is widened to find a ‘felt’ quality to ‘what we are in’. Implicit to this is that a felt quality can form that tells us more about the relational/functional background that is ‘before’ and ‘larger than’ the delineation of specific situational emotions. This felt background can be directly sensed as a quality in itself, and then reflected upon, to differentiate a number of situational emotions. as well as routine emotions, that may interact and change from one to another. One is then not focused on a particular emotion, but focused on a broader, felt quality that encompasses a number of emotionally-relevant experiences and situations. Such a focus brings a more fluid experience. This dimension emphasises how our experiences are holistic and interrelated. Such interrelated and holistic dimensions can themselves have felt qualities larger and more complex than particular routine or situational emotions.

Gendlin uses the example of ‘being in’ a situation with a policeman. One may simply get ‘sucked into’ a routinized emotion such as fear or anger, or a specific situational emotion such as a sense of quiet caution. Being simply moved by the sense of quiet caution may result in a particular trajectory of behaviour, one possibility being, to act in an excessively unquestioning way. So, in such a situation, getting ‘sucked into’ the situational emotion may become a habitual pattern that reduces the likelihood of responding in other possible ways that require novelty. A felt meaning is a broader focus. In noticing and feeling the quality of the whole complex experience, it first comes as a feeling of “all that”. As human beings living with language, we are able to symbolise and describe “all that”. “All that” turns out to be much more than just one routine or situational emotion to which we may automatically react (either by repressing or expressing). In attending to felt meaning, the interrelationship of a number of emotion-implying meanings may emerge. To quote Gendlin(1973) , this level of felt meaning comes when “I put myself into this whole situation I am up against, rather that just this already thinly defined routine patter.” p389.

A number of different levels of personal meaning and context may become more explicit when this broader ‘having’ of ones situation is attended to. So, for example, “in” attending to a broad felt meaning that may first look like a ‘feeling of threatened constraint’, a number of different feelings, levels and meanings may emerge: the felt importance of where I was going, the feeling that I have allowed others to control me too often in the past, that it is important for me not to stereotype the policeman, that there is “all that” about my need to keep the peace ( a long story which seems to resonate with many other personal stories). “All this” and more is “in” the felt meaning and contains endlessly more facets than can possibly be separated out.

Yet one can have “all this” in the immediacy of a felt meaning as a whole, even though it may take time to articulate and symbolise what is “in” it. Such felt meaning comes in wholes rather than parts. Gendlin thus sees this level of attending to experience as a particularly human emergent capacity, one that announces an ability to ‘stand back’ and feel the quality of the “all that” that enters into the constitution of specific emotions. He would say that the felt meaning of an “all that” is different than, and more complex than, routine and situational emotions. The main differences are that it breaks the routine between feeling and action, and can find a more specific ‘next step’ that takes account of the personal complexity of the situation. This may allow the possibility of a form of emotional intelligence that does not rely on mere general logic and rationality, but which can be informed by the more holistic intelligence of one’s uniquely situated, emotional context, in relation to one’s personal identity and history.



Some images about emotion



The sad faces of art


Typography showing emotion


How emotion works?


Emotion are our feelings.Its gains everything into our :
-bodies as tingles
-hot spots
-muscular tension

It considered a response to stimuli that involves characteristic physiological changes:
-increase in pulse rate
-rise in body temperature
-greater or less activity of certain glands
-change in rate of breathing.It tends in itself to motivate the individual toward further activity.In other words,an emotion develops through body chemistry ,thinking,body language and being ready for action.This develops can be defined as
  • Body chemistry:An emotion will spur a physiological reaction through chemicals like dopamine (associated with pleasure), adrenaline (associated with fear and anger), seratonin (associated with serenity), oxytocin (associated with feelings of love), cortisol (associated with stress), and so on. These chemicals have a lot to do with the physical feelings emotions create, like butterflies in the stomach or a thrill of delight, and they also tend to sustain whatever emotion we’re having.
  • Thinking (cognition): Once we start having an emotion, we tend to think about it and monitor our surroundings. For instance, we might see flashing blue lights and initially feel anxiety, thinking they’re from police cars, then round a corner and discover that they’re lights from a party a neighbor is having on their lawn.
  • Body language: It won’t be news to you that happiness can make you smile and depression can make you slump, but it’s more surprising to realize that smiling can make you happy and slumping can make you more depressed. Fascinatingly, our own expressions, posture, and maybe even tone of voice can stimulate the same body chemistry that the corresponding emotion would create. Smiling can make us feel happier, and sitting up straight can help us feel more alert and positive.
  • Being ready for action: Certain emotions tend to prime our bodies to be ready in certain ways: to focus our attention in a certain way or to be ready to move quickly. An example of this is flinching away at a sudden loud noise: our body is ready to act before we can even come up with a plan of how to act -http://www.willpowerengine.com/?p=745






How emotion work by colour?

Colour like features,follow while perceptions of color are somewhat subjective,there are some color effect that have
universal meaning.Colors in the red area of the color spectrum are known as warm colors
and include red,orange and yellow.These warm colors evoke emotions ranging from feelings
of warmth and comfort to feelings of anger and hostility.
Color on the blue side of the spectrum are known as cool colors and include blue,purple and
green.These colors are often described as calm but can also call to mind feelings of sadness
or indifference.


Color Meaning

Red Color Red

Red is the color of fire and blood, so it is associated with energy, war, danger, strength, power, determination as well as passion, desire, and love.

Red is a very emotionally intense color. It enhances human metabolism, increases respiration rate, and raises blood pressure. It has very high visibility, which is why stop signs, stoplights, and fire equipment are usually painted red. In heraldry, red is used to indicate courage. It is a color found in many national flags.

Red brings text and images to the foreground. Use it as an accent color to stimulate people to make quick decisions; it is a perfect color for 'Buy Now' or 'Click Here' buttons on Internet banners and websites. In advertising, red is often used to evoke erotic feelings (red lips, red nails, red-light districts, 'Lady in Red', etc). Red is widely used to indicate danger (high voltage signs, traffic lights). This color is also commonly associated with energy, so you can use it when promoting energy drinks, games, cars, items related to sports and high physical activity.

Light red represents joy, sexuality, passion, sensitivity, and love.
Pink signifies romance, love, and friendship. It denotes feminine qualities and passiveness.
Dark red is associated with vigor, willpower, rage, anger, leadership, courage, longing, malice, and wrath.
Brown suggests stability and denotes masculine qualities.
Reddish-brown is associated with harvest and fall.


Orange Color Orange

Orange combines the energy of red and the happiness of yellow. It is associated with joy, sunshine, and the tropics. Orange represents enthusiasm, fascination, happiness, creativity, determination, attraction, success, encouragement, and stimulation.

To the human eye, orange is a very hot color, so it gives the sensation of heat. Nevertheless, orange is not as aggressive as red. Orange increases oxygen supply to the brain, produces an invigorating effect, and stimulates mental activity. It is highly accepted among young people. As a citrus color, orange is associated with healthy food and stimulates appetite. Orange is the color of fall and harvest. In heraldry, orange is symbolic of strength and endurance.

Orange has very high visibility, so you can use it to catch attention and highlight the most important elements of your design. Orange is very effective for promoting food products and toys.

Dark orange can mean deceit and distrust.
Red-orange corresponds to desire, sexual passion, pleasure, domination, aggression, and thirst for action.
Gold evokes the feeling of prestige. The meaning of gold is illumination, wisdom, and wealth. Gold often symbolizes high quality.


Yellow Color Yellow

Yellow is the color of sunshine. It's associated with joy, happiness, intellect, and energy.

Yellow produces a warming effect, arouses cheerfulness, stimulates mental activity, and generates muscle energy. Yellow is often associated with food. Bright, pure yellow is an attention getter, which is the reason taxicabs are painted this color. When overused, yellow may have a disturbing effect; it is known that babies cry more in yellow rooms. Yellow is seen before other colors when placed against black; this combination is often used to issue a warning. In heraldry, yellow indicates honor and loyalty. Later the meaning of yellow was connected with cowardice.

Use yellow to evoke pleasant, cheerful feelings. You can choose yellow to promote children's products and items related to leisure. Yellow is very effective for attracting attention, so use it to highlight the most important elements of your design. Men usually perceive yellow as a very lighthearted, 'childish' color, so it is not recommended to use yellow when selling prestigious, expensive products to men – nobody will buy a yellow business suit or a yellow Mercedes. Yellow is an unstable and spontaneous color, so avoid using yellow if you want to suggest stability and safety. Light yellow tends to disappear into white, so it usually needs a dark color to highlight it. Shades of yellow are visually unappealing because they loose cheerfulness and become dingy.

Dull (dingy) yellow represents caution, decay, sickness, and jealousy.
Light yellow is associated with intellect, freshness, and joy.


Green Color Green

Green is the color of nature. It symbolizes growth, harmony, freshness, and fertility. Green has strong emotional correspondence with safety. Dark green is also commonly associated with money.

Green has great healing power. It is the most restful color for the human eye; it can improve vision. Green suggests stability and endurance. Sometimes green denotes lack of experience; for example, a 'greenhorn' is a novice. In heraldry, green indicates growth and hope. Green, as opposed to red, means safety; it is the color of free passage in road traffic.

Use green to indicate safety when advertising drugs and medical products. Green is directly related to nature, so you can use it to promote 'green' products. Dull, darker green is commonly associated with money, the financial world, banking, and Wall Street.

Dark green is associated with ambition, greed, and jealousy.
Yellow-green can indicate sickness, cowardice, discord, and jealousy.
Aqua is associated with emotional healing and protection.
Olive green is the traditional color of peace.


Blue Color Blue

Blue is the color of the sky and sea. It is often associated with depth and stability. It symbolizes trust, loyalty, wisdom, confidence, intelligence, faith, truth, and heaven.

Blue is considered beneficial to the mind and body. It slows human metabolism and produces a calming effect. Blue is strongly associated with tranquility and calmness. In heraldry, blue is used to symbolize piety and sincerity.

You can use blue to promote products and services related to cleanliness (water purification filters, cleaning liquids, vodka), air and sky (airlines, airports, air conditioners), water and sea (sea voyages, mineral water). As opposed to emotionally warm colors like red, orange, and yellow; blue is linked to consciousness and intellect. Use blue to suggest precision when promoting high-tech products.

Blue is a masculine color; according to studies, it is highly accepted among males. Dark blue is associated with depth, expertise, and stability; it is a preferred color for corporate America.

Avoid using blue when promoting food and cooking, because blue suppresses appetite. When used together with warm colors like yellow or red, blue can create high-impact, vibrant designs; for example, blue-yellow-red is a perfect color scheme for a superhero.

Light blue is associated with health, healing, tranquility, understanding, and softness.
Dark blue represents knowledge, power, integrity, and seriousness.


Purple Color Purple

Purple combines the stability of blue and the energy of red. Purple is associated with royalty. It symbolizes power, nobility, luxury, and ambition. It conveys wealth and extravagance. Purple is associated with wisdom, dignity, independence, creativity, mystery, and magic.

According to surveys, almost 75 percent of pre-adolescent children prefer purple to all other colors. Purple is a very rare color in nature; some people consider it to be artificial.

Light purple is a good choice for a feminine design. You can use bright purple when promoting children's products.

Light purple evokes romantic and nostalgic feelings.
Dark purple evokes gloom and sad feelings. It can cause frustration.


White Color White

White is associated with light, goodness, innocence, purity, and virginity. It is considered to be the color of perfection.

White means safety, purity, and cleanliness. As opposed to black, white usually has a positive connotation. White can represent a successful beginning. In heraldry, white depicts faith and purity.

In advertising, white is associated with coolness and cleanliness because it's the color of snow. You can use white to suggest simplicity in high-tech products. White is an appropriate color for charitable organizations; angels are usually imagined wearing white clothes. White is associated with hospitals, doctors, and sterility, so you can use white to suggest safety when promoting medical products. White is often associated with low weight, low-fat food, and dairy products.


Black Color Black

Black is associated with power, elegance, formality, death, evil, and mystery.

Black is a mysterious color associated with fear and the unknown (black holes). It usually has a negative connotation (blacklist, black humor, 'black death'). Black denotes strength and authority; it is considered to be a very formal, elegant, and prestigious color (black tie, black Mercedes). In heraldry, black is the symbol of grief.

Black gives the feeling of perspective and depth, but a black background diminishes readability. A black suit or dress can make you look thinner. When designing for a gallery of art or photography, you can use a black or gray background to make the other colors stand out. Black contrasts well with bright colors. Combined with red or orange – other very powerful colors – black gives a very aggressive color scheme.


colors

Few colors



About colors